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An original watercolour by Matthew Grayson of
 
The South West prospect of Bath Abbey (2003)

Medium : Watercolour, Acrylic and Graphite on board

Original Painting Size : width 320 mm x height 480 mm
(Original finished work now held by The Charter Trustees of the City of Bath at the Guildhall in Bath Info Link)


25 Artist's Signed Proofs - All Sold
250 Signed, Limited Edition Prints
For Sale Now from Grayson Fine Arts Direct Sales
Unsigned Prints are available for purchase from Bridgeman Art On Demand

Commercial User Images are available for purchase from Bridgeman Art Image Library

The South West prospect of Bath Abbey 2003 (C) Matthew Grayson

Bath Abbey’s history dates back to the year 757, where documents mention a monastery of St Peter in Bath.

In the year 1090 Bishop John de Villula transferred his seat from Wells to Bath and demolishes its Saxon Abbey. A Norman Cathedral replaced this; which doubled as a church to the original monastery.

In 1244 Bath and Wells share cathedral status and Roger of Salisbury becomes the joint Bishop of Bath and Wells.

In 1499 the newly appointed Bishop, Oliver King, begins to plan the new abbey church.

King Henry VIII dissolves the old monastery in 1539 as part of the dissolution of the monasteries.

It was not until Queen Elizabeth I promoted the restoration of the ruined abbey in 1574 that we can appreciate the skilled craftsmanship and beauty of this magnificent building.

The abbey was completed in 1611 and its function as a parish church could commence.

The southwest elevation of the abbey depicted in Matthew's painting shows the improvements to the abbey suggested originally by Bishop Law in 1825.

George Manners continued the improvements by adding the flying buttresses and buttress pinnacles, giving the architecture a more harmonising appearance and balance.

The abbey church measures 220 feet in length and 72 feet in width, the height of the knave is 79 feet and the central tower rises to 161 feet.

Bath abbey is the most popular parish church in the country, owing to its magnificent gothic styled interiors, splendid stained glass windows, (which occupy 80% of the buildings wall space) and its charming chapels including the very impressive Chantry Chapel of Prior William Birde.

Its ever-increasing popularity is sustained by the upkeep of this beautiful building and the recent exterior wall cleaning reflects the overall ambience of Bath's largest church.

(c) Matthew Grayson 2003

 


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mgfa.co.uk website created: 16, November 2008 and last modified: Saturday, 20 October 2012